The Band
Lead vocals & guitar
Jill Goodson Sink
Keyboards & vocals
Tony DiBianca
After leaving the all girl band She Said, vocalist and self-taught guitarist Jill briefly joined the enigmatic rock group, Watts Left.
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With the departure of the band's founder, Jill was thrust into the role of lead vocalist and guitarist.
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With Jill's incredible stage presence and audience rapport, the group quickly agreed on the obvious name; The Jill Goodson Band.
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That year JGB opened for (and Jill sang with) Eddie Money. A decade later, Jill continues to amaze audiences whenever she performs.
Tony started on keyboards in the 6th grade with The Sixth Sense, before moving from NYC to NC to play saxophone in marching and jazz bands, and join the rock group Crosstown Traffic on keys.
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Tony studied saxophone at the NC School of the Arts, played piano with jazz group Stanley's 5-Minute Ensemble, ran sound for legends like Al Dimeola & Jeff Lorber, then joined Upstate NY band Fusion.
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25-years later, after founding tech company PhoneTree, Tony teamed up with Greg, Jill & Jeff to start The Jill Goodson Band.
Bass
Jeff Isley
Starting at an early age, Jeff played violin, switched to upright bass, then began strumming his Dad’s old acoustic guitar.
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In 1981, Jeff's decision to try electric bass was finalized when he jammed with friends and their bass player gave Jeff his bass and quit. Jeff would play with over a dozen bands in the next 30 years.
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Jeff moved to the Charlotte area where he played with the original world band Cyclone Mack, and later opened for Rod Stewart with The Rigel Band before joining forces with Jill, Greg and Tony.
Drums
Greg Savoie
Greg has played drums for over 45 years, and hasn't been without a drum kit since he was 8.
He performed in jazz, orchestra & marching bands from grammar school through college, and various rock bands in his adult life.
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Greg studied with notable teachers including Rick Dior, Andy Weis and is currently with Josh Orlando. A slave to the groove, he's always trying to improve his craft.
Greg's a business owner by day (BilliardWarehouse.com) and rocker at night.
Marketing
Social media
Over 10+ years we've developed a large social media following, and announce every event on Jill Goodson Band Facebook page and Jill Goodson personal Facebook page. We always share your postings and encourage you to do the same with ours:
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Fan emails
We email our 2,000+ member fan list who bring spouses and friends during the week prior to a show, and on the day of - as a "see you there" reminder.
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In-venue posters
About 2-weeks prior to your event we mail 11" x 17" posters to hang at your venue to alert customers when The Jill Goodson Band will be performing.
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QR code
At every show, we provide on-table cards and on-stage posters with a QR code that links to our web site - where visitors can view our schedule and subscribe to our email list.
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Download images (HERE)
High resolution images of Jill, the band, and The Jill Goodson Band logo are available for for your print and electronic marketing HERE.
Tech
What JGB provides
We provide professional sound and lighting for indoor and outdoor events up to 2,000 people:
- Midas M32R thirty-two channel digital mixing console w/onboard effects, all mics, DI's and cables
- Up to four 1,000-watt QSC KW153 3-way main plus two 2,000W JBL SRX835 3-way main speakers
- Up to eight 1,000-watt QSC KW181 18" subwoofers plus two 1,500W JBL PRX818 18" subwoofers
- Shure P3RA wireless in-ear monitor system with no on-stage monitors or clutter
- ShowExpress programmed light system w/quad front wash, rear truss w/wash/laser/spots, dual hazers
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What you must provide
To assure the best performance possible, venues must provide adequate space and power for the band
- Venues must provide adequate raised stage area (minimum 16'W x 12'D) plus space for house speaker placement
- For outdoor performances, venues must provide rain/sun cover at a height of at least 8' over the entire stage area
- We require a minimum of two 20-amp circuits for small indoor venues and up to four 20-amp circuits for outdoor events
- Vehicle and trailer parking close to the stage for load-in at least 2 hours prior to the event and immediately after
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Set-up, sound-check, and load out
We arrive 2-hours in advance for load-in, set-up, and sound check (when using our own equipment)
- With our system, 95% of the house and monitor mixes are complete before the system is powered on
- Typical sound check takes less than 5 minutes with minimal disruption to your venue
- Pack-up and load-out typically require about an hour after the last song
- We guarantee you'll be happy with our sound and that the quality of our mix will exceed expectations.
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Using your sound system (no engineer)
For venues with a high-quality, in-house sound system ​we connect our Midas console to your speakers
- We provide line-level outputs to your speaker system (minimum 2-main speakers plus 2-subwoofers)
- House and monitor mixes are controlled by the band, and no venue-provided sound engineer is required.
Using your sound system and engineer
For venues with a provided sound engineer, we allocate an additional 30-minutes for sound-check.
- All stage mics and inputs are first connected to our Midas console
- We provide 14 balanced XLR outputs for drums (8), bass, guitar, keyboard and vocal (2) channels
- In-ear monitor mix is controlled from stage while house mix is controlled by your sound engineer
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